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Since Auschwitz, and more and more frequently today, places that were theatres of mass suffering and other atrocities are becoming common features of our cultural landscape. What should we do with these places? Keep them as they were, to remind us of what actually took place there, as ideal museums of past evils? Or should we transform them and, if so, into which forms and according to which principles? Which pasts do these places transmit, and how? This volume uses an innovative semiotic methodology to analyse selected key trauma sites. The author demonstrates that these places can become, once properly interrogated, privileged observatories capable of throwing light upon the many different conflicts, forms of social control, and power relationships that underlie any politics of memory. The selfsame notions of trauma and memory become, in this way, rewritten in quite a different light: far from any kind of naturalistic definition, they emerge as painful «knots» within which many of the most crucial questions in the contemporary world are intertwined.
Patrizia Violi is Full Professor of Semiotics in the Department of Philosophy and Communication and Coordinator of the PhD Program in Semiotics at the University of Bologna. She is Director of the School of Advanced Studies in the Humanities and Director of TRAME (Interdisciplinary Centre for the Study of Memory and Cultural Traumas; www.trame.unibo.it) at the University of Bologna. Her main areas of research include text analysis, language and gender, and semantic theory. She is currently working on cultural semiotics and traumatic memory, in particular on memorials and memory museums.
CONTENTS: Remembering trauma: From compulsion to traumatic heritage - Spatializing trauma: From the trace to suffering as spectacle - Re-presenting the horror: The Tuol Sleng Museum of Genocide Crimes in Phnom Penh, Cambodia - The rhetoric of nationhood: The Memorial Hall in Nanjing - The difficult memories of Latin American dictatorships: The case of Chile - The difficult memories of Latin American dictatorships: The case of Argentina - When trauma meets art: The Museo per la Memoria di Ustica in Bologna.
