Und dann auf "Zum Home-Bildschirm [+]".
Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Ihr gewünschter Artikel ist in 0 Buchhandlungen vorrätig - wählen Sie hier eine Buchhandlung in Ihrer Nähe aus:
The Beatles and Black Musicdiscusses the influence that Black music and culture has had over the Beatles throughout their collective and solo careers.
Richard Mills adopts a musicological and historiographic account to demonstrate the extent to which Liverpool's colonial history influenced the Beatles' music. Beginning with the grand narrative of British colonial history pre-Beatles, it covers the influence of Black music and culture on the Beatles' teenage years in the 1950s, their association with Lord Woodbine, their love of American Rhythm and Blues in the mid-1960s, and extends to a discussion of post-colonial British identity and the lasting effect Black music has had on the Beatles' legacy and continues to have on the solo careers of Ringo Starr and Paul McCartney.
Tracing the history of Black musical and cultural influence on popular music from the Transatlantic Slave Trade in 1795 to the nascent Mersey Beat scene in the early 1960s, this book is the first to explore the Beatles from this important cultural lens.
Richard Mills is Programme Director and Associate Professor in English Literature and Popular Culture at St Mary's University, Twickenham, UK. He is the author of The Beatles and Fandom (Bloomsbury, 2019) and co-editor, with Lee Brooks and Mark Donnelly, of Mad Dogs and Englishness (Bloomsbury, 2017) and, with Katie Kapurch and Matthias Heyman, The Beatles and Humour (Bloomsbury, 2023).
Preface Introduction: The Beatles and Black Music Chapter 1: Colonial History and the Beatles Chapter 2: Lord Woodbine, the Liverpool Music Scene and the Gator Bowl Chapter 3: Cunard Yanks: The Beatles and 1950s Rhythm and Blues Chapter 4: Cover Versions on Please Please Me and With the Beatles Chapter 5: The Beatles, Rubber Soul, Revolver, and Atlantic, Stax, Motown and Psychedelic Soul Chapter 6: The White Album, Let It Be and Abbey Road Chapter 7: The Black Album. The Beatles Mashed, Jay Z and Brian Burton aka Danger Mouse Chapter 8: Post-Colonial Solo Beatles: The Beatles and Black Music After Their Breakup In 1970 Conclusion: The Beatles and Post-colonial Britain Bibliography Discography The Grey Album: Track Listing Acknowledgments
