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In this fascinating new book, Rosalinda Quintieri addresses some of the key questions of visual theory concerning our unending fascination with simulacra by evaluating the recent return of the figure of the life-size doll in European and American visual culture.
Rosalinda Quintieri is a post-doctoral researcher based at the University of Manchester, UK. In her research and writing, photography and visual culture converge with aesthetics, psychoanalysis and an anthropology of technology. Her previous work on the poetics of the object in outsider and contemporary art has appeared in PsicoArt and Prospero's. She was awarded a President's Doctoral Scholar Award (2013-2016) to complete her PhD in Art History and Visual Studies, from which this book was born.
Introduction: "Quasi-subjects": the hypermodern double between flatness and affective excess 1. The modern doppelgänger: enjoyment as subversion 2. Enjoy (you must)!: Olivier Rebufa and Barbie's dreamlife 3. Silicone Love: photography as de-Realisation 4. Laurie Simmons: pictures beyond the gaze 5. Lars and the Real Girl: a tale of the New Father Conclusions: doubles beyond the uncanny
