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In The Clash: The Only Band That Matters, respected music critic Sean Egan examines The Clash's career and art through the prism of the uniquely interesting and fractious UK politics of the Seventies and Eighties, without which they simply would not have existed. Tackling subjects such as The Clash's self-conscious tussles with their record label, the accusations of sell-out that dogged their footsteps, their rivalry with the similarly leaning but less purist Jam, the paradoxical quality of their achieving multi-platinum success and even whether their denunciations of Thatcherism were proven wrong, Egan has come up with new insights into a much discussed group.
Sean Egan has contributed to, among others, Billboard, Book Collector, Classic Rock, Record Collector, Tennis World, Total Film, Uncut, and RollingStone.com. He has written or edited two dozen books, including works on The Beatles, Jimi Hendrix, The Rolling Stones, Manchester United, Coronation Street, and Tarzan.
Introduction Chapter 1: Garageland - More or Less Chapter 2: Sell-Out Alert Chapter 3: Reinventing Punk Chapter 4: In the Shadow of The Jam Chapter 5: A Paradoxical Success Chapter 6: A Sad Finale Chapter 7: Rehabilitation Selected Listening Selected Reading
