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Not a police chronicle, not a thriller, but a contemporary noir novel of the ongoing catastrophe of femicide and the murder of three young women in interior of Argentina.
Compared to Carson McCullers, William Faulkner, Flannery O'Connor, Sara Gallardo and Juan Carlos Onetti, Selva Almada (Entre Ríos, Argentina, 1973) is considered one of the most powerful voices of contemporary Argentinian and Latin American literature and one of the most influential feminist intellectuals of the region. Including her debut _The Wind that Lays Waste, _she has published two novels, a book of short stories, a book of journalistic fiction and a kind of film diary (written in the set of Lucrecia Martel's most recent film Zama, based on Antonio di Benedetto's novel). She has been finalist of the Rodolfo Walsh Award and of the Tigre Juan Award (both in Spain). Her work has been translated into French, Italian, Portuguese, German, Dutch, Swedish and Turkish. This is her second book to appear in English after _The Wind that Lays Waste _(Winner of the EIBF First Book Award 2019). Annie McDermott's published and forthcoming translations include Mario Levrero's Empty Words and The Luminous Novel (And Other Stories and Coffee House Press), Feebleminded by Ariana Harwicz (co-translation with Carolina Orloff, Charco Press) and City of Ulysses by Teolinda Gersão (co-translation with Jethro Soutar, Dalkey Archive Press). Her translations, reviews and essays have appeared in Granta, The White Review, World Literature Today, Asymptote, the Times Literary Supplement and LitHub, among others. Annie also edits books for Charco Press, including Julián Fuks' Resistance and Giuseppe Caputo's An Orphan World. Her translation of Almada's third novel, Brickmakers, will come out with Charco Press and Graywolf in 2021.
