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The key theme of these books is the changing nature of the live music industry in the UK, focussed upon popular music but including all musical genres. The third volume covers the period from Live Aid to Live Nation (1985-2015).
Simon Frith is Emeritus Professor of Music at the University of Edinburgh. From 1985 to 2000 he reviewed live music for the Sunday Times, Observer and Scotsman and from 1992 to 2016 chaired the judges of the Mercury Music Prize. Matt Brennan is Reader in Popular Music at the University of Glasgow. He has served as Chair of the International Association for the Study of Popular Music (UK and Ireland branch) and is the author of two monographs, When Genres Collide (2017) and Kick It: A Social History of the Drum Kit (2020). Martin Cloonan is the Director of the Turku Institute for Advanced Studies in Finland and coordinating editor of the journal Popular Music. He chaired Freemuse for its first 20 years and, with John Williamson, co- wrote a history of the UK's Musicians' Union, Players' Work Time (2016). Emma Webster completed her PhD, Promoting Live Music: A Behind- the- Scenes Ethnography, at the University of Glasgow in 2011. She has held a fellowship at Oxford Brookes University and AHRC- funded post- doctoral positions at the Universities of Edinburgh and East Anglia, working on the UK Live Music Census and Impact of Festivals projects. She co- founded Live Music Exchange and is currently working in research support at the University of Oxford.
Preface 1. Introduction: New Times 2. We are The World 3. Taking Care of Business Bristol 2007 4. Live Music and the State 5. The Political Economy of Music Festivals 6. Festival Worlds Glasgow 2007 7. DJ Business 8. Moving to a Different Beat: Jungle, Bhangra, Garage and Grime 9. Making a Musical Living Sheffield 2007 10. Live Music Experience in the Digital Age 11. The Live Music Ecology Rolling Stones 2006-7 12. Conclusion: The Value of Live Music
