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Politics and music are intertwined in this study of different musical forms in Latin America from the twentieth century to the present as scholars from diverse disciplines analyze various musical genres contextualized by moments of political importance in Latin America. Interviews of prominent and up-and-coming musicians from Latin America discuss how the personal is actually political.
Lauren Shaw is an associate professor of Spanish at Elmira College where she teaches Hispanic Studies in the Romance Language Program and hosts a Spanish language radio program called Voces.
Introduction Lauren Shaw Part I: Music and Agency Chapter 1: Singing the City, Documenting Modernization: Cortijo y su combo and the Insertion of the Urban in 1950s Puerto Rican Culture Carmelo Esterrich Chapter 2: Shattering Myths: Brazil: Brazil's Tropicália Movement John R. Baldwin and Phillip J. Chidester Chapter 3: The Mockingbird Still Calls for Arlen: Central American Songs of Rebellion, 1970-2010 Juan Carlos Ureña Chapter 4: Social Denunciation of the Politics of Fear: Rock Music through the Eighties in Argentina, Chile and Peru Lisette Balabarca Chapter 5: The Politics of Language, Class, and Nation in Mexico's Rock en español Movement Ignacio Corona Chapter 6: Witnessing Forced Internal Displacement in Colombia Through Vallenato Music Diana Rodríguez Quevedo Chapter 7: Rich Poetry: Cuban Voices of Possibility Lauren Shaw Part II: Conversations on Music and Social Change Ruben Blades, New York City Habana Abierta, Madrid Roy Brown, Mayagüez, Ana Tijoux, Boston Mare Advertencia Lirika, Oaxaca via Skype
