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'Sophie out jars The Bell Jar with this dark and gleaming masterpiece' EILEEN MYLES
Everything falls into place: she will get sober, she will eat well, she will start sleeping properly, she will work hard, she will resurrect her career, she will make The Lakes, she will charm Mitch, she will be somebody
Pearl is a thirty-something filmmaker balanced precariously on the edge of an addiction-fueled breakdown. But when she is invited to interview her idol and crush, lesbian cult filmmaker Mitch Meyer, her stilted life restarts.
Buoyed and seduced by Mitch's interest in her and her work, Pearl swaps alcoholism for romantic obsession, and London for a summer in New York with Mitch. All the while she is haunted by a project she has been toying with for years: a film about Veronica Lake, a 1940s film star who drank herself into obscurity.
Sophie Robinson's debut poetry collection Rabbit (Boiler House Press, 2018) was the Poetry Book Society Wild Card Choice, and poems from it were highly commended by the Forward Prize. Her work has been published in Granta, the Guardian, BOMB Magazine, The Believer, N+1, The Poetry Review and The White Review. Prairie Oyster is her first novel.
