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This book presents an exploration of the reinvented utopia that provided second-wave feminists of the 1970s with a conceptual space to articulate the politics of change. Tatiana Teslenko argues that utopian fiction of this decade offered a means of validating the personal as well as the political, and of criticizing a patriarchal social order. Teslenko reveals feminists' attempt through fiction to envision a new political order.
Tatiana Teslenko teaches at the University of British Columbia, Canada. Her research interests are genre studies, feminist criticism, cultural theory, and utopian studies. Most recently, she co-edited The Rhetoric and Ideology of Genre, in which she published a chapter entitled "Ideology and Genre: Heteroglossia of Soviet Genre Theories."
CONTENTS:List of TablesPrefaceIntroductionRhetoric of IdentificationNew Rhetoric of GenreChapter 1: Utopia and UtopianismUtopia and IdeologyUtopia as Literary GenreChapter 2: Utopianism and FeminismScraping False DichotomiesGenre TransformationChapter 3: Dorothy Bryant: Saving the Human RaceThe Real WorldUtopian ChronotopeUtopian PeopleDream-time: Fluid Meaning and Rigid WordThe Law of LightChapter 4: Joanna Russ: New Meaning for Old ConceptsCalculated AmbiguityJanet the SaviorJeannine: Cognitive StarvationJael: Terror of TerrorismJoanna: Usurp the DeniedIdentification RevisitedConclusion: Utopian Genre as Feminist StrategyGlossaryBibliography
