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Japanese folk performing arts incorporate a body of entertainments that range from the ritual to the secular. They may be the ritual dances at Shinto shrines performed to summon and entertain deities; group dances to drive away disease-bearing spirits; or theatrical mime to portray the tenets of Buddhist teachings. These ritual entertainments can have histories of a thousand years or more and, with such histories, some have served as the inspiration for the urban entertainments of no, kabuki and bunraku puppetry. The flow of that inspiration, however, has not always been one way. Elements taken from these urban forms could also be used to enhance the appeal of ritual dance and drama. And, in time, these urban entertainments too came to be performed in rural or regional settings and today are similarly considered folk performing arts. Professor Terence Lancashire provides a valuable introductory guide to the major performance types as understood by Japanese scholars.
Professor Terence A. Lancashire, Osaka Ohtani University, Japan
Part 1 An Outline of Japanese Folk Performing Arts; Chapter 1 Introduction '" Definitions and Classifications; Chapter 2 Ritual Music, Dance and Theatre of ShintÅ Shrines: Kagura; Chapter 3 Field Music: Ta no gaku (dengaku); Chapter 4 Group Dances: FuryÅ'; Chapter 5 Floats: Dashi (FuryÅ'); Chapter 6 Spoken Word and Entertainments of Celebration: Katarimono and Shukufuku Gei; Chapter 7 Entertainments of Foreign Derivation and Stage Entertainments; Chapter 8 Folk Performing Arts Today: Contemporary Contexts; Part 2 A Directory of Important Japanese Folk Performing Arts; Chapter 9 A Directory of Important Japanese Folk Performing Arts;
