All's Well That Ends Well: Argo Classics

William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world's most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time.
'Love all, trust a few, do wrong to none.'
Set in France and Italy, All's Well That Ends Well is a story of one-sided romance, based on a tale from Boccaccio's The Decameron.
Helen heals the King of France, and the King grants her permission to marry Bertram, the man she loves. Bertram rejects her and leaves a list of tasks that she must do to have him acknowledge their marriage. She follows him to Italy, completes all the tasks, and Bertram accepts her as his wife.
All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare's contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.
Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production.
The full cast includes: Michael Hordern; James Taylor Whitehead; Peter Orr; Max Adrian; Patrick Wymark; John Barton; Gordon Gardner; John Tracy-Phillips; Roy Dotrice; Philip Strick; Margaretta Scott; Prunella Scales; Esme Church; Janette Richer; Joan Hart.

William Shakespeare (1564-1616), English poet and dramatist of the Elizabethan and early Jacobean period, is the most widely known author in all of English literature and often considered the greatest. He was an active member of a theater company for at least twenty years, during which time he wrote many great plays. Plays were not prized as literature at the time, and Shakespeare was not widely read until the middle of the eighteenth century, when a great upsurge of interest in his works began that continues today.