Modern Development of China's Cultural Industry

This book primarily investigates the historical development, fundamental theories, and resource utilization of China’s cultural industry, as well as the role of technological innovation in promoting the cultural industry’s growth. It specifically covers the historical choices and experiences of cultural industry development strategies since China’s reform and opening up, the achievements and future strategies of policies on cultural industry since the 18th National Congress, the core elements of cultural industry development and their relationships, characteristics of cultural consumption and its guidance, the integration of culture and tourism, the relationship between folk cultural resources and cultural industry development, etc. The book systematically studies the development of modern technological innovation in the cultural industry and its significant impact on contemporary cultural industry development, providing an in-depth analysis of the positive role that technological innovation plays in advancing the cultural industry. The research presented in this book elucidates the historical context, experiences, and issues of modern cultural industry development in China, expounds the fundamental relationships between cultural resources, technological innovation, and cultural industry development, and provides theoretical support and practical guidance for promoting the high-quality development of China's cultural industry.

Yonglin Huang served as Vice President of Central China Normal University and is currently Director of the National Cultural Industry Research Center, Evaluation Expert for the National Social Science Fund and the Art Fund of the National Social Science Fund, Humanities and Social Science Research Project Evaluation Expert of the Ministry of Education, President of the Chinese New Literature Society, China Vice President of the Folklore Society, Director of the China Folklore Education Professional Committee, Vice President of the China Educational Accounting Society, Director of the Wuhan Culture and Technology Integration Expert Committee, "New Literature Review", "Education Accounting Research", and "Wuhan Cultural and Creative Industry Development Report" Editor-in-Chief, etc. He has long been engaged in cultural industry, folk literature, folk culture, Internet culture, and education accounting management and policy research. He is Academic Leader and Doctoral Program Leader of the emerging interdisciplinary "Cultural Resources and Cultural Industry".