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Eliza Haywood's writing career spanned the gamut of genres: novels, plays, advice manuals, periodicals, propaganda, satire, and translations. This book demonstrates how she contributed to making women's writing a locus of debate to be taken seriously by contemporary readers, and by current scholars of the eighteenth century.
ALEKSONDRA HULTQUIST is an Associate Professor of Critical Thinking at Stockton University. CHRIS MOUNSEY is Professor of Eighteenth-Century English Literature at the University of Winchester.
Introduction: Spying on Eliza Haywood Aleksondra Hultquist and Chris Mounsey 1 Eliza Haywood and the Deluded Heroine Plot RACHEL CARNELL 2 "The Shame Would Be Wholly Hers": Negotiating Gendered Shame and Desire in Eliza Haywood's Love in Excess and The Masqueraders KRISTIN M. DISTEL 3 "The Air of Clock-work": The Amatory Machine of Masculinity in Eliza Haywood's Fiction MARY BETH HARRIS 4 Eliza Haywood and Captivity CATHERINE INGRASSIA 5 "I Will also Give a Copy": Eliza Haywood and the Developing Authority of Print MARTA KVANDE 6 Eliza Haywood: A Life in the Theatre JEAN MARSDEN 7 Eliza Haywood, Alexander Pope and George of Hanover: Satire and the Telephoto Lens CHRIS MOUNSEY 8 Eliza Haywood, Francis Hutcheson, and the Stoic Heritage: Calming the Vehement Passions in The Female Spectator CHANCE DAVID PAHL 9 Translation and Empire in Haywood's La Belle Assemblée ANNIE PERSONS 10 "I Have Such a Piece of News for you": Serving Gossip at Haywood's The Tea-Table BETHANY E. QUALLS 11 Having it Both Ways: Bigamy and the Marriage Act in Eliza Haywood's The Life of Madam de Villesache SHEA STUART 12 Haywood in Holland: Translating the Passions in the French and Dutch Translation of Idalia; or the Unfortunate Mistress FAUVE VANDENBERGHE
