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Freedom Girls: Voicing Femininity in 1960s British Pop tells the stories a group of singers--Sandie Shaw, Cilla Black, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P.P. Arnold--whose singing voices transformed understandings of modern femininity in the 1960s. Often left out of histories of rock and pop music, the stories of these singers show us how the way we speak and sing are tied to the way we understand race and gender. This book analyzes musical recordings, television programs, and a wide range of media produced for young audiences in the 1960s to show how girl singers played a crucial role in the history of pop music.
Alexandra Apolloni is a writer, singer, and music historian. She holds a PhD in Musicology from UCLA and an undergraduate degree in Music and Women's Studies from Wilfrid Laurier University in Waterloo, Canada. Currently, she directs the Scholars as Leaders; Scholars as Learners program for the Faculty of Arts and Science Dean's Office at Yale. Previously, she was the Program and Research Developer at the UCLA Center for the Study of Women. From 2019 to 2021, Alexandra served as Vice President of the International Association for the Study of Popular Music, US-Branch.
Introduction
Vocal Manners for Moderns
Part I: Ordinary, Extraordinary Voices
Chapter 1: Chart Chicks and Gear Girls: The Limits of Mod Femininity
Chapter 2: A girl in a million, just like a million": Sandie Shaw and Ordinary Girlhood
Chapter 3: Sounding Like Liverpool: Region, Memory, and Cilla Black's Accent
Part II:
Chapter 4: England meets Jamaica's Lollipop Girl: Millie Small, Voice, and Migration
Chapter 5: Race, Self-Invention, and Dusty Springfield's Voice
Part III: Voice, Age, and Sex
Chapter 6: The Last Remaining Virgin in London: Lulu, Whiteness, and Youth
Chapter 7: Sex, Freedom, and Marianne Faithfull's Voice at the Twilight of the Sixties
Chapter 8: Remembering Rock and Roll with P.P. Arnold
Epilogue
Index
