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This unique book presents multiple points of view on the portrayal of gay, lesbian, and transgendered people in film throughout Asia. From the subversive sadomasochism of Japan's "pink films" to the hard-boiled world of Hong Kong's gangster movies, Queer Asian Cinema analyzes and discusses attitudes toward homosexuality in the full spectrum of Asian film. In addition, it reveals the hidden homoerotic subtext of otherwise conventional films. Queer Asian Cinema brings together experts in both film-making and movie criticism, providing a balanced viewpoint to unite the worlds of academic and popular perceptions on this largely neglected area of cinematic discourse.
Andrew Grossman
Contents - Preface - "Beautiful Publicity": An Introduction to Queer Asian Film - Japan's Progressive Sex: Male Homosexuality, National Competition, and the Cinema - The (Temporary?) Queering of Japanese TV - Two Japanese Variants of the Absolute Transvestite Film - Obscenity and Homosexual Depiction in Japan - The Rise of Homosexuality and the Dawn of Communism in Hong Kong Film, 1993-1998 - Happy Alone? Sad Young Men in East Asian Gay Cinema - The Cross-Gender Performances of Yam Kim-Fei, or The Queer Factor in Postwar Hong Kong Cantonese Opera/Opera Films - Farewell My Fantasy - The Outcasts: A Family Romance - Homosexual Men (and Lesbian Men) in a Heterosexual Genre: Three Gangster Films from Hong Kong - Remembered Branches: Towards a Future of Korean Homosexual Film - Queering Bollywood: Alternative Sexualities in Popular Indian Cinema - Memories Pierce the Heart: Homoeroticism, Bollywood-Style - The Changing Image of the Hero in Hindi Films - Long Life of a Short Film - Transvestites and Transgressions: Panggagaya in Philippine Gay Cinema - Index - Reference Notes Included
