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Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands. Ferdinand's accomplishments came not through diplomacy or strong leadership but through a skillful manipulation of the arts. Drawing upon recent methodological approaches to the representation of other early modern monarchs as well as upon the theory of confessionalization, Andrew Weaver places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe.
Andrew H. Weaver is Associate Professor and Chair of Musicology at the Benjamin T. Rome School of Music, the Catholic University of America, USA. He has also published editions of musical works by Ferdinand III, Giovanni Felice Sances, and other musicians from the Habsburg court.
Introduction; I: Setting the Stage; 1: Ferdinand III's Public Image and the Thirty Years' War; 2: Justitia et Pietas; II: Means of Production; 3: Emblematic Sound; 4: The Politics of Printing; III: Music as Representation; 5: Musical Portraiture; 6: Mirrors and Models; 7: Maria Patrona Ferdinandi (et Austriae); Epilogue
