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Andrey Shabanov's seminal reinterpretation of the Peredvizhniki is a comprehensive study that examines in-depth for the first time the organizational structure, self-representation, exhibitions, and critical reception of this 19th-century artistic partnership. Shabanov advances a more pragmatic reading of the Peredvizhniki, artists seeking professional and creative freedom in authoritarian Tsarist Russia. He likewise demonstrates and challenges how and why the group eventually came to be defined as a critically-minded Realist art movement. Unprecedentedly rich in new primary visual and textual sources, the book also connects afresh the Russian and Western art worlds of the period. A must-read for anyone interested in Russian art and culture, 19th-century European art, and also the history of art exhibitions, art movements, and the art market.
Andrey Shabanovis a Research Fellow and Lecturer in the Department of Art History at the European University at Saint Petersburg, Russia. He is a contributor to the digital resource Bloomsbury Art Markets.
Acknowledgements Conventions Introduction Part One: The Peredvizhniki Represent Themselves Chapter 1. Commercial institutionalization, 1870-1871 Chapter 2. Selling the exhibition, 1871-1897 Chapter 3. Self-fashioning in group photographs, 1886-1897 Chapter 4. Revealing the art manifesto, 1888 Part Two: The Peredvizhniki in the Eyes of the Critics Chapter 5. Inaugural success: the first show, 1871 Chapter 6. Split with the Academy: the fifth exhibition, 1876 Chapter 7. Critical point: the eleventh, twelfth, and thirteenth shows, 1883-1885 Chapter 8. Self-Defence: the Partnership's anniversary reports, 1888, 1897 Conclusion: The Peredvizhniki in a broader European context Appendices 1. Charter of the Partnership for Touring Art Exhibitions, 1870 2. The Partnership's fifteenth-anniversary report, 1888 3. The Partnership's twenty-fifth-anniversary report, 1897 4. A list of the touring art exhibitions and statistics, 1871-1923 Selected bibliography Index
