Revolutionary Messages

Published here in its entirety in English, Artaud's Revolutionary Messages collects Antonin Artaud's political, aesthetic and philosophical writings during his travels to Mexico in 1936. Written around the same time as his seminal work The Theatre and its Double, it captures a crucial point in Artaud's life shortly before he was admitted to a mental asylum in which he was to spend a significant part of his later life. Revolutionary Messages contains conferences that Artaud gave at the University of Mexico, articles from the daily Mexican newspaper El Nacional Revolucionario and a study of three seminal artists of the time influenced by or from Mexico: Franz Hals, Ortiz Monasterio and Maria Izquierdo. Not only will you gain crucial insight into Artaud's time in Mexico and his vision of a "total revolution," which he places in distinction to Marxist and Surrealist conceptions of revolution, but you will deepen your understanding of the philosophical roots of his theatrical project, which ultimately shaped modern theatre and dance. The publication includes an introduction by the translator, Joel White, and a preface by Professor of European Philosophy, Howard Caygill.

Antonin Artaud (1896 - 1948) was a French dramatist, poet, essayist, actor and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde. Artaud's most significant contribution to drama theory is his "theater of cruelty" and, although it was not widely embraced in practice, the ideas have been, and continue to be, the subject of many essays on modern theater.

FOREWORD INTRODUCTION Artaud's "Messages" Translating Artaud's Revolutionary Messages Artaud's "Révolution" Realism or Surrealism The Double and the Race-principle The Void and Life-Death Ni Droite, Ni Gauche? I THREE LECTURES DELIVERED AT THE UNIVERSITY OF MEXICO Surrealism and Revolution Man Against Fate Theatre and the Gods II MEXICO Post-War Theatre in Paris Open Letter to the Governors of the Mexican States The Universal Bases of Culture First Contact with the Mexican Revolution Medea Without Fire Young French Painting and Tradition French Theatre in Search of a Myth What I Came to Mexico to Do The Eternal Culture of Mexico The False Superiority of the Elite Eternal Secrets of Culture The Occult Forces of Mexico The Social Anarchy of Art I Came to Mexico to Flee European Civilization, III FRANZ HALS. ORTIZ MONASTERIO. MARIA IZQUIERO Franz Hals A Technician of Stonework: Monasterio The Painting of Maria Izquierdo Maria Izquierdo Two Notes Mexico and the Primitive Spirit: Maria Izquierdo IV HAVANA The Eternal Betrayal of White People Theatre in Mexico La Corrida and Human Sacrifices Red Paint Indians and Metaphysics V THREE TEXTS ON MEXICO Awakening of the Thunderbird Mexico and Civilisation The Force of Mexico NOTES BIBLIOGRAPHY INDEX