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Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name!
In a small tight-knit community, gossip and rumour spread like wildfire, inflaming personal grievances until no-one is safe from accusation and vengeance.
The Crucible is Arthur Miller's classic dramatisation of the witch-hunt and trials that besieged the Puritan community of Salem in 1692. Seen as a chilling parallel to the McCarthyism and repressive culture of fear that gripped America in the 1950s, the play's timeless relevance and appeal remains as strong as when the play opened on Broadway in 1953.
This new edition includes an introduction by Soyica Diggs Colbert, that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring The Crucible.
Arthur Miller (1915-2005) was arguably the greatest American playwright of the twentieth century. Hist most famous work for the stage includes Death of a Salesman, The Crucible, All My Sons and A View from the Bridge. Six volumes of his plays and a volume of his theatre essays are published by Methuen Drama.
Soyica Diggs Colbert is the Idol Family Professor of African American Studies and Performing Arts at Georgetown University. She is also an Associate Director at the Shakespeare Theatre Company in Washington, D.C. Colbert is the author of Radical Vision: A Biography of Lorraine Hansberry, Black Movements: Performance and Cultural Politics, and The African American Theatrical Body. Colbert co-edited Race and Performance After Repetition and The Psychic Hold of Slavery. Most recently, she served as a Creative Content Producer for The Public Theatre's audio play, shadow/land.
Susan C. W. Abbotson is Professor of Dramatic Literature at Rhode Island College, USA.
Chronology
Introduction
Historical, Social and Cultural Contexts
Genre and Themes
Play as Performance
Production History
Academic Debate
Behind the scenes - Interview with Set Designer Soutra Gilmore on The Old Vic production of The Crucible, directed by Yaël Farber
Further Study
The Crucible
Notes
