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Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. This book traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is.
Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR.
Part I "The Unknown Black Bards" Introduction 1. The Roots of Black Folk 2. Early Black Folk Artists 3. Coon Songs, Race Music, and Genre Wars 4. The Folk Whitening 5. "Freedom's Comin' and It Won't Be Long" Folk and Politics Part II The Family Tree 6. Melding Sounds: The Origins of Soul-Folk Part III Music's Long Memory 7. Where Do We Go from Here? Epilogue and Beyond Ten Essential Tracks Selected Bibliography Endnotes
