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This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer.
Ian Christie is a film historian and curator, currently Professor of Film and Media History at Birkbeck, University of London. He is a Fellow of the British Academy and has been a visiting professor and fellow at universities in Chicago, Tampa, Stockholm, Canberra, Paris and Olomouc, and at Gresham College in London 2017-21, as well as Slade Professor of Fine Art at Cambridge University in 2006. He has written and edited books on Powell and Pressburger, Russian cinema, Martin Scorsese and Terry Gilliam; and contributed to many exhibitions
Editorial, Acknowledgments, Introduction: In Search of Audiences, Part I Reassessing Historic Audiences, "At the Picture Palace": The British Cinema Audience, 1895-1920, The Gentleman in the Stalls: Georges Méliès and Spectatorship in Early Cinema, Beyond the Nickelodeon: Cinema going, Everyday Life and Identity Politics, Cinema in the Colonial City: Early Film Audiences in Calcutta, Locating Early Non-Theatrical Audiences, Understanding Audience Behavior Through Statistical Evidence: London and Amsterdam in the Mid-1930s, PART II New Frontiers in Audience Research, The Aesthetics and Viewing Regimes of Cinema and Television, and Their Dialectics, Tapping into Our Tribal Heritage: The Lord of the Rings and Brain Evolution, Cinephilia in the Digital Age, Spectator, Film and the Mobile Phone, Exploring Inner Worlds: Where Cognitive Psychology May Take Us, PART III Once and Future Audiences, Crossing Out the Audience, The Cinema Spectator: A Special Memory, Operatic Cinematics: A New View from the Stalls, What Do We Really Know About Film Audiences? Notes, General Bibliography, Notes on Contributors, Index of Names, Index of Film Titles, Index of Subjects.
