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This offers a general introduction to the popular film genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories. From the silent-film era to the blockbusters of today, it is a fun-filled, highly illustrated dive into the past influences and present popularity of the horror film genre.
Brad Weismann is an award-winning writer and editor. His work has appeared in such publications as Senses of Cinema, Film International, Backstage, Muso, Parterre, 5280, and Boulder Magazine. His first book, Lost in the Dark: A World History of Horror Film was published by the University Press of Mississippi. He contributed to the critical collection 100 Years of Soviet Cinema, and he was chosen by the Library of Congress to contribute explanatory essays to its National Recording Registry.
WORLD MAP OF HORROR INTRODUCTION SHADOWY SILENCE Horror Before Sound BROWNING AND CHANEY The Father of Freaks and the Man of a Thousand Faces MONSTER CENTRAL The Great Horror Cycles Begin CRANKING OUT THE CREEPIES Horror in the 1930s and 1940s VAL LEWTON AND THE TERRORS OF THE UNSEEN ATOMIC-AGE MONSTERS The Sci-Fi/Horror Boom BLOOD AND BOSOMS The Success of Hammer Horror THE MOMENT OF SHOCK Psycho and Peeping Tom THE CORMAN POES AND THE PEERLESS VINCENT PRICE HORROR, ITALIAN STYLE ALL HELL BREAKS LOOSE, 1960–1975 BLOODY ENGLAND Hammer’s Competitors THE SLEEP OF REASON Horror in Spanish GODZILLA & CO Far East Horror in Transition POLANSKI, COFFIN JOE, AND OTHERS CLARK, CRAVEN, CARPENTER, AND CRONENBERG MAINSTREAM HORROR OR: BRING THE KIDS! J- AND K-HORROR, AND OTHER ASIAN ENTRIES THE PROBLEM OF TORTURE PORN ZOMBIES! THERE’S USUALLY A GORILLA Horror-Comedies MASTERS FOR A NEW MILLENNIUM IS HORROR LEGIT? POST-HORROR AND BEYOND GLOSSARY Subgenres of Horror NOTES IMAGE CREDITS BIBLIOGRAPHY INDEX ABOUT THE AUTHOR
