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When we talk about a jazz "standard" we usually mean one of the many songs that jazz musicians repeatedly play. But unlike classical musical works, standards are always being transformed in performance. They are rearranged and improvised, which raises the question: what gives a standard its identity? Hearing Double answers that question. Filled with case studies and music analysis, this book will draw your attention to unheard aspects of jazz performance as well as unrecognized philosophical, social, and cultural dimensions of the jazz repertoire.
Brian Kane is Associate Professor of Music at Yale University and works at the intersection of music, philosophy, and media. He has been a leading figure in the interdisciplinary field of sound studies since the publication of his first book Sound Unseen: Acousmatic Sound in Theory and Practice (2014). He has written expansively on jazz, electronic and avant-garde music, sound media, composer and musicologist Pierre Schaeffer, guitarist Les Paul, and civil rights activist and broadcaster Robert F. Williams.
Acknowledgments
Introduction
Part I. Ontology
1. The Metaphysics of Musical Structure
2. Replication
3. Nomination
4. The Ontology of Musical Networks
Part II. Auditory Culture
5. The Soundscape of Standards
6. The Aesthetics of Standards, or Hearing Double
Discography
References
Index
