Classical Storytelling and Contemporary Screenwriting

Since we first arrived on the planet, we've been telling each other stories, whether of that morning's great saber-tooth tiger hunt or the latest installment of the Star Wars saga. And throughout our history, despite differences of geography or culture, we've been telling those stories in essentially the same way. Why?
Because there is a RIGHT way to tell a story, one built into our very DNA.
In his seminal work Poetics, Aristotle identified the patterns and recurring elements that existed in the successful dramas of his time as he explored precisely why we tell stories, what makes a good one, and how to best tell them.
In Classical Storytelling and Contemporary Screenwriting, Brian Price examines Aristotle's conclusions in an entertaining and accessible way and then applies those guiding principles to the most modern of storytelling mediums, going from idea to story to structure to outline to final pages and beyond, covering every relevant screenwriting topic along the way.
The result is a fresh new approach to the craft of screenwriting-one that's only been around a scant 2,500 years or so-ideal for students and aspiring screenwriters who want a comprehensive step-by-step guide to writing a successful screenplay the way the pros do it.

Brian Price is an audio book and audio drama producer. His work with Great Northern Audio Theatre has been performed throughout the world, and in 2017 their full-length audio drama "In the Embers" received an APA Audie Award for Best Original Drama. In 2019 "The Old Cart Wrangler Saga" was also nominated for a Best Original Work Audie.

Acknowledgments Preface: Some Obligatory Backstory SECTION I: A PROLOGUE Chapter 1 - Introduction: What You Hold in Your Hands Chapter 2 - Aristotle's Poetics: It's All Greek to Me Chapter 3 - Motivating Factors: Why We Tell Stories Chapter 4 - Starting the Journey: Defining the Road Ahead SECTION II: A BEGINNING Chapter 5 - Story: And I'm Sticking To It Chapter 6 - Ideas: Liar, Liar, Pants on Fire Chapter 7 - Conflict: People Who Write Should Throw Stones Chapter 8 - Wholeness: We Need Some Closure Chapter 9 - Magnitude: It All Boils Down to One Thing Chapter 10 - Loglines: Putting It All Together (Part 1) SECTION III: A MIDDLE Chapter 11 - Plot: Let's Stay Connected Chapter 12 - Reversals and Revelations: Pieces of the Action Chapter 13 - Change of Fortune: Covenant of the Arc Chapter 14 - Fatal Flaw: And the Plot Thickens Chapter 15 - Structure: The Shape of Things to Come Chapter 16 - The Three Acts: Let's Break It Down Chapter 17 - Anchor Points: A Pattern of Design Chapter 18 - Character: The Agents of the Action Chapter 19 - Defining Traits: What's Good and Appropriate Chapter 20 - The 5 Ps: They Help Build Character Chapter 21 - Motivating Behavior: Goooooal!! Chapter 22 - Structure Revisited: Filling in the Gaps Chapter 23 - Set-Up: Stepping Stones of Act One Chapter 24 - Complications: Stepping Stones of Act Two Chapter 25 - Resolution: Stepping Stones of Act Three Chapter 26 - Stepping Stones: Building the Great Pyramids Chapter 27 - Beat Sheets: Putting It All Together (Part 2) SECTION IV: AN END Chapter 28 - Scenes: The Building Blocks Chapter 29 - Description: What You See Is What You Get Chapter 30 - Dialogue: What You Say is What You Get Chapter 31 - Dialogue Continued: Still More Left to Say Chapter 32 - Formatting: Ah, the Lovely White Space Chapter 33 - Pages: Putting It All Together (Part 3) Chapter 34 - First Draft: And You're Finally Done SECTION V: A RESOLUTION Chapter 35 - Rewriting: Ha! You Thought You Were done Chapter 36 - Theme: What's It All About, Ari? Chapter 37 - Conclusion: Bringing It All Back Home APPENDICES Aristotle's Guiding Precepts Assignments Recommended Reading Recommended Movies Attributions About the Author Index