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Set in Nigeria during the 1960s, at the time of a vicious civil war in which a million people died and thousands were massacred in cold blood. The three main characters in the novel are swept up in the violence during these turbulent years. One is a young boy from a poor village who is employed at a university lecturer's house.The other is a young middle-class woman, Olanna, who has to confront the reality of the massacre of her relatives. And the third is a white man, a writer who lives in Nigeria for no clear reason, and who falls in love with Olanna's sister, a remote and enigmatic character. As these people's lives intersect, they have to question their own responses to the unfolding political events...
CHIMAMANDA NGOZI ADICHIE grew up in Nigeria. Her work has been translated into more than 55 languages and has appeared in various publications, including The New Yorker, The New York Times, Granta, The O. Henry Prize Stories,and Financial Times. She is the author of the novels Purple Hibiscus, which won the Commonwealth Writers Prize and the Hurston/Wright Legacy Award; Half of a Yellow Sun, which was the recipient of the Women's Prize for Fiction "Winner of Winners" award; Americanah, which won the National Book Critics Circle Award; the story collection The Thing Around Your Neck; the essays We Should All Be Feminists, Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions, and Notes on Grief; and Mama's Sleeping Scarf, a book for children. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria.
'Vividly written, thrumming with life...a remarkable novel. In its compassionate intelligence as in its capacity for intimate portraiture, this novel is a worthy successor to such twentieth-century classics as Chinua Achebe's "Things Fall Apart" and V. S. Naipaul's "A Bend in the River".' Joyce Carol Oates 'Here is a new writer endowed with the gift of ancient storytellers.' Chinua Achebe 'I look with awe and envy at this young woman from Africa who is recording the history of her country. She is fortunate - and we, her readers, are even luckier.' Edmund White 'Absolutely awesome. One of the best books I've ever read.' Judy Finnigan '[Deserves] a place alongside such works as Pat Barker's "Regeneration" trilogy and Helen Dunmore's depiction of the Leningrad blockade, "The Siege".' Guardian