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Music in the California missions was a pluralistic combination of voices and instruments, of liturgy and spectacle, of styles and functions - and even of cultures - in a new blend that was non-existent before the Franciscan friars' arrival in 1769. This book explores aesthetic, stylistic, historical, cultural, theoretical, liturgical, and biographical aspects of this repertoire. It contains a "Catalogue of Mission Manuscripts," 150+ facsimiles, translations ofprimary documents, and performance-ready music reconstructions.
Craig H. Russell, Professor in the Department of Music at California Polytechnic State University, is steeped in the music of the Hispano-American world, having published over 100 articles in the field. He collaborated with Chanticleer on four compact disks - two of which received Gramophone award nominations. His compositions have been performed worldwide, including major orchestral concerts in Carnegie Hall, the Kennedy Center, the Sydney Opera House, and Disney Hall.
About the Web Site
Editorial Procedures
Introduction
1. Musical Style and Performance in Mission Life
2. Notation and Music Theory
3. Serra and the Introduction of Sacred Song: Veni Creator Spiritus, Salve, Te Deum, and Alabado
4. Sacred Celebrations: Song, Sequence, Dance, and Pagentry
5. Juan Batista Sancho: Tracing the Mallorcan Connection
6. Music for the Mass: A Spectrum of Artistic Invention
7. Classical Masses for Voices and Orchestra by Ignacio de Jerusalem and Garcia Fajer
Epilogue
Contents of the Online Appendices
Index
