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"Taking place in the skies over London, the plazas of Rotterdam, and the hallways of museums worldwide, a new kind of art has emerged since the 1990s. Known as Relational Art, this controversial practice features audience participation in ways never before realised, often using new media and social networking. In this book, academic and artist Craig Smith outlines a rigorous theory of Relational Art, explaining why audience interaction and collective art production has become so relevant"--
Craig Smith
List of Illustrations Introduction 1. Space The Literalist Site The Mobile Site Case Study 1. Producing You Differently: Literalism in Duke Bailey's 2004 Art Fair Appearance Case Study 2. Lee Walton's Stacked 2. Time Case Study 3. Immersion in the Time of Art: Matthew Bakkom's Intimacy Machine 3. Participation in Relational Art 4. Interactivity in Relational Art 5. Participation and Interactivity Case Studies Case Study 4. Bodily Interactivity Without Computers: Broken Bones and Pivi's Grass Slope Case Study 5. The Weather Project: Participation to Interactivity to Participation Case Study 6. The Thames Whale Case Study 7. Abusive Crowd Interaction and the Sports Arena: New Orleans 2005 Case Study 8. College Station and the 12th Man 6. Relational Art and Social Identity Selected Case Studies Summary Notes Bibliography
