The Popular Music and Entertainment Culture of Barbados

During the second half of the 20th century, the Caribbean island of Barbados emerged as a key player in the creation and nurturing of Caribbean popular music. And, yet, despite its vital role in the popularization of tuk music, the rise of spouge, and the Barbadian contribution to and transformation of other Carribean music traditions, there is still relatively little sustained critical literature that discusses the various strands of the island's music culture.
Curwen Best's The Popular Music and Entertainment Culture of Barbados provides this long overdue survey of the development of Barbadian popular music and entertainment culture by focusing on pivotal phenomena, artists and movements in the evolution of Barbadian popular music and culture. Best concentrates, in particular, on transformations since 1980 and 2000 respectively, each of which marked the ushering in of new opportunities and challenges to the creation and dissemination of Barbadian popular music. His study considers the telling roles played by the expanding influence of western popular culture, the Internet, post-dancehall and post-soca aesthetics, cyberculture, digital culture, and the subterranean lure of traditional culture. Readers will find especially compelling Best's analyses of selected artists, musical genres, and phenomena, such as Gabby, Rihanna, Jackie Opel, Alison Hinds, Rupee, Red Plastic Bag, Lil' Rick, spouge, tuk, ringbang, gospel, dub/dancehall, calypso, soca, folk, alternative, hip hop, Crop Over, Jazz Festival, National Independence Festival of Creative Arts, BajanTube, party politics and entertainment, popular bands, music technology, the Internet and new frontiers of cultural expression.
This book will be of significant interest to scholars, students and all those curious about Caribbean popular culture, the popular music of Barbados, and the impact of emerging technologies on cultural development in a small island state.

Curwen Best is professor of Popular Culture, Literary, and Cultural Studies at the University of the West Indies, Cave Hill Campus Barbados. He is Head of the Department of Language Linguistics and Literature.

Contents
Introduction
Chapter 1Tuk
Chapter 2Bridges and Tracks
Chapter 3Root Notes and Departures
Chapter 4Staying and Crossing Over
Chapter 5Low Frequencies
Chapter 6Criticism. Culture
Chapter 7The New Folk. Breaking with the Past
Chapter 8The Culture Industry. Your Party or Mine?
Chapter 9The Digital Nation
Chapter 10Music Technology. Hard and Soft Options
Bibliography