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Even at four in the morning, the strip clubs and watering holes surrounding the Honolulu studio were still hopping. The recording engineer heard a car pull into the lot, and soon the biggest man he had ever seen walked in. When he stepped into the studio, the floated floor shifted beneath the engineer's feet. Israel Kamakawiwo'ole engulfed the engineer's hand in his and said, "Hi, bruddah." The product of that impromptu recording session, a delicate medley of "Somewhere Over the Rainbow" and "What a Wonderful World," has driven sales of Facing Future to nearly two million copies. Each time the medley is licensed to appear in advertisements, in movies, even on American Idol, Mainlanders embrace it anew as a touch of the unfamiliar in their otherwise staid record collections. But in Hawai'i, a state struggling with the responsibility of its native heritage, Facing Future is much more. Gaining unprecedented access to Israel's family, friends, and colleagues, Dan Kois tells the remarkable story of Bruddah Iz and the album that changed his life-and his death.
Dan Kois
Prologue: Honolulu, 1988 PART ONE Chapter One: Drive With Aloha Chapter Two: Local Chapter Three: Makaha Brothers PART TWO Chapter Four: Ongoing Friction Kamakawiwo'ole Chapter Five: Young Street and Palehua Chapter Six: The Introduction THE SONGS OF FACING FUTURE Hapa Haole Songs Hawaiian Songs PART THREE Chapter Seven: Royalty Chapter Eight: Hits Chapter Nine: The Beach and the Condominium Chapter Ten: Bruddahood Glossary of Hawaiian and Pidgin Terms
