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Bach's surviving passions are an essential part of the modern repertory. These large, complex pieces are well loved, but behind these familiar passion settings lurk questions and problems that emerge from our distance from their original context. Bach scholar Daniel Melamed provides unique insight into Bach's passion settings. Hearing Bach's Passions uses the Bach repertory to introduce readers to some of the intriguing issues in the study and performance of older music, and explores what it means to listen to this music today.
Daniel R. Melamed is Associate Professor of Music at the School of Music, Indiana University. He is the author of J. S. Bach and the German Motet, co-author (with Michael Marissen) of An Introduction to Bach Studies, editor of Bach Studies 2, and has published articles, reviews and musical editions on J. S. Bach and members of the Bach family. He serves as associate editor of the Journal of Musicology and was vice president of the American Bach Society.
