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"Originally published in 2005, the revised edition explores musical free improvisation through the lens of several contemporary sciences"--
David Borgo is Professor and Chair of Music at UC San Diego, USA. He has performed around the world, released 13 albums, and published extensively in scholarly and other outlets. The first edition of Sync or Swarm (Bloomsbury 2005) won the Alan P. Merriam Prize in 2006, the Society for Ethnomusicology's most distinguished award.
Acknowledgments Preface Preface (first edition) 1. The Sound and Science of Surprise The Age of Complexity Sync or Swarm 2. The Study of Improvisation The Field of Improvisation Studies Referent-Based Improvisation Referent-Free Improvisation Freedom Music Freedom Is, Freedom Ain't Improvisation Is, Improvisation Isn't A Marvel of Paradox 3. Strange Loops The Embodied Mind Enaction and Prediction Taking the Note for a Walk It's a Bit Like Juggling Lived Body and Living Body On Repeat Fractal Correlation Circular Causality Hall of Mirrors 4. Rivers of Consciousness The Art of the Trio Complexity and Emergence Musical Elephants The Sound of One Note Clapping Time and the Qualia of Experience The Phase Space of Improvisation Attractors Hues of Melanin Fractal Correlation Flights and Perchings 5. Orderly Disorder Chaotics Complex Adaptive Systems Dissipative Structuring Ancient to Future Sketches of Another Future 6. Sync and Swarm The Science of Sync Entrainment A Coordination Problem Insect Music The Art of Improvisation in the Age of Computational Participation The Puzzle of Coaction A Web Without a Spider Reassembling the Social 7. Harnessing Complexity The Map is Not the Territory Situated Musicianship Group Creativity Yes, and. Comprovisation The Shores of Multiplicity Complementarity and Metastability References Index
