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For over a hundred years 'the avant-garde' has been the most influential concept in modern art; its impact on the history of modern culture has been profound. In this Very Short Introduction, David Cottington explores why the avant-garde carries so much authority, and places it within the context of western modernity and capitalist culture.
David Cottington is Emeritus Professor of Art History at Kingston University London. He has published widely on the Cubist movement and the artistic avant-gardes of the early twentieth century, including Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905-1914 (Yale UP, 1998), and Cubism and its Histories (Manchester University Press, 2004). His Modern Art: A Very Short Introduction was published in 2005. The Avant-Garde: A Very Short Introduction of 2013 was followed by his latest book, Radical Art and the Formation of the Avant-Garde, a history and theorisation of the avant-gardes early phases, published by Yale University Press in March 2022.
- Introduction
- 1: Origins: emergence and consolidation 1820-1914
- 2: Professionalisms and Politics Between the Wars
- 3: Consumerism and co-option
- 4: The Avant Garde and Revolution
- Conclusion
- Further reading
