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As a distinctive and attractive musical repertory, the 100-odd English carols of the fifteenth century have always had a ready audience. But the key viewpoints date to the late 1920s, when Richard L. Greene first defined the poetic form; and little has been published since 1950, when a new manuscript was found and John Stevens published his still definitive edition of all the music, giving rise to substantial publications by major scholars in both music and literature. This book offers a new survey with a firmer focus on the form and its history. Fresh examination of the manuscripts and of the styles of the music they contain leads to new proposals about their dates, origins and purposes.
David Fallows taught at the University of Manchester for thirty-five years until his retirement in 2011. He is author of Dufay (1982), Josquin (2009), several critical editions and many articles about the 'long' fifteenth century from Zachara da Teramo to Henry VIII - some of them reissued in two Variorum volumes of his essays published by Ashgate (1996 and 2010).
1. 'Straightforward songs' 2. The musical repertory 3. Definitions and terminology: carol; burden; refrain; chorus 4. The musical form and the virelai forms in general 5. Burdens and double burdens 6. Fauxbourdon 7. Metre and rhythm 8. The main poetry sources 9. The earliest English poems in carol form 10. Monophony for the carol 11. Add. MS 5666 12. Awareness of the carol, 1: 1600-1890 13. Composers 14. Social context, 1: The royal court and political propaganda 15. Social context, 2: Orality and the polyphonic carol 16. Social context, 3: The notion of communal song 17. Awareness of the carol, 2: 1891-1901 18. The date and origin of Ritson 19. The date and origin of Egerton 20. The date and origin of Trinity 21. The date and origin of Selden 22. Chronology 23. The later carols 24. Binchois, Dufay and the contenance angloise 25. Awareness of the carol, 3: 1902-2017 26. 'Blessid Inglond ful of melody'
