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Rock Aesthetics in Colombian Literature and Culture: Writing the Noise explores the presence of a rock aesthetic in the Colombian literary field and how its pivotal role in creating alternative creative expressions that challenge the dominance of tropicality as the prevailing artistic reference. More than a musical genre or a cultural industry, rock is also an aesthetic: a significant social practice that allows one to understand what people consider beautiful or authentic. Since its birth in the mid-1950s, rock as an aesthetic has expanded worldwide, transforming and establishing dialogues with artistic practices such as literature. Through an analysis of a series of novels, poems, and manifestos written from the 1950s to the early years of the twenty-first century, David Marti-nez Houghton embarks on a literary, musical, and historical journey. On the way, he explores complex phenomena such as urban violence, the formation of youth identities, the penetration of pop culture, national identity discourses, and even the social and physical transformation of Colombian cities.
David Martinez Houghton is professor at the Universidad del Norte, in Barranquilla, Colombia.
Part I: What Do We Mean by Rock Aesthetics?
Chapter 1. Rock Aesthetics: More Than a Music Genre, More Than a Business
Chapter 2. Rock as the Latin American Soundscape: From Music to Literature
Part II: The Rock Aesthetic in Colombian Literature. Corpus Analysis
Chapter 3. Nadaism: Rock Aesthetics in the Formation of the Literary Field in Colombia
Chapter 4. To Die Before Growing Old: Rock Aesthetics in the Work of Andrés Caicedo
Chapter 5. Rock Aesthetics as Resistance Against Death: The Punk Poetry of Giovanny Oquendo
Chapter 6. Rock Aesthetics at the Turn of the Century in Colombia
