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'Words for My Comrades ambitiously sets out to transcend the standard pop star biography, carefully knotting the evolution of hip-hop into a sweeping account of 20th-century radical US politics' - Victoria Segal, THE TIMES Before his murder at twenty-five, Tupac Shakur rose to staggering artistic heights as the pre-eminent storyteller of the 90s, building, in the process, one of the most iconic public personas of the last half century. In this cultural history and brilliantly researched biography, Dean Van Nguyen reckons with Tupac's coming of age, fame and influence and how the political machinations that shaped him as a boy have since buoyed his legacy as a revolutionary following the George Floyd uprising. Words for My Comrades crucially engages with the influence of Tupac's mother, Afeni, whose role in the Black Panther Party, with its dedication to dismantling American imperialism and police brutality, informed Tupac's art. Tupac's childhood as a son of the Panthers, coupled with the influence of his militant stepfather Mutulu Shakur, became his own riveting code of ethics that helped listeners reckon with America's inherent injustices. Drawing upon conversations with the people who bore witness - from Panther veterans and other committed Marxist revolutionaries of 1970s America, to good friends and close collaborators of the rapper himself - Van Nguyen demonstrates how Tupac became one of the most enduring musical legends in hip-hop history and how intimately his name is threaded with the legacy of Black Panther politics. Words for My Comrades is the story of how the energy of the Black political movement was subsumed by culture and how America produced, in Tupac and Afeni, two of its most iconic, enduring revolutionaries.
Dean Van Nguyen is an Irish-Vietnamese writer, journalist and critic covering music, culture, identity, race relations and left wing politics. He has written for Irish Times, the Guardian, the Independent, Pitchfork, The Atlantic, Uproxx, Wax Poetics, Jacobin and more. He writes a monthly music column for the Dublin Inquirer and a column on new reissues for Bandcamp Daily. In 2019, he published Iron Age: The Art of Ghostface Killah, a collection of essays on New York rapper that blends music criticism, cultural examination and personal appreciation.
