Directing Amateur Musical Theatre

How do you choose a musical to direct that suits your amateur theatre group's needs?
How do you run an open and fair audition process and cast a show appropriately?
How do you design a rehearsal schedule to cover a large set of amateur performers?
How do you work with amateur actors to achieve a level of professionalism in performance while maintaining the enjoyment?
Directing Amateur Musical Theatre offers answers to all of these questions and many, many more.
Demystifying the pre-production process and auditions through to rehearsals and opening night, this book offers a roadmap for success for amateur directors everywhere.
Rooted in the wide-ranging experience of a working practitioner who specialises in directing amateur musical theatre across various different formats, it details ways to stage different types of musical numbers, through to blocking and staging a scene, as well as how to approach a text and expanding the acting skills of a mixed-ability cast. Considering the opportunities offered by different musicals, it equips you to direct shows ranging from the golden age through to more contemporary works with imaginative, sensitive and informed direction.
Featuring practical advice and exercises that follow the life-cycle of a production, this book also includes helpful charts, diagrams, templates and tools that break down the fundamental elements of directing a musical in a digestible way that will appeal to first-time, as well as more experienced, directors looking to hone and refine their craft.
This invaluable handbook - the first to be published in the post-Covid landscape - will be invaluable to anyone with an interest in directing amateur musical theatre and would like to bring more to, and gain more from, the experience.

Dom O'Hanlon is a director of musical theatre who has over fifteen years of experience directing and working within amateur theatre in the UK and USA. His experience spans university and college productions, summer camp and summer stock, educational and TIE musicals as well as many London and regional amateur theatre societies and companies. He has worked in a range of capacities on productions with amateur performers from ages 6 to 70 in all manners of spaces from traditional theatres to outdoor arenas and converted swimming pools and on a range of work from classic to new musicals. He holds an MA Distinction in Text and Performance from RADA and Birkbeck, University of London, UK. He is currently a Senior Publisher of Plays and Musical Theatre at Methuen Drama.

Introduction
Act 1: Directing Preparation
Why Direct and Amateur Musical?
Approaching a Production
Who's Who?
Show Selection
Production Schedule
Auditions and Casting
Rehearsal Schedule
Props List
Costume
Concepts and Understanding a Show
Act 2: Directing Process
Welcome to the Rehearsal Room
The First Rehearsal - Setting the Tone
Examples of Warm Up Exercises
Structuring a Rehearsal
Directing the Ensemble
Ensemble Exercises
Directing Child Actors
Directing Principal Actors
Blocking, Staging and Directing
Directing a Book Scene
Directing Musical Numbers
Directing a 'Problematic' Musical
Directing Sensitive Scenes
Putting it Together
Act 3: Curtain Up, Light the Lights
Production Week Schedules
The Technical Rehearsal
The Dress Rehearsal
The Run of the Show
Closing a Show
Glossary