FEELING THINGS EIH C

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Stephanie Downes is a research fellow at the University of Melbourne. Her current research on the representation of human facial expression in late medieval textual culture is funded by the Australian Research Council's Centre of Excellence for the History of Emotions, 1100-1800. With Andrew Lynch and Katrina O'Loughlin, she has edited Emotions and War: Medieval to Romantic Literature (2016), and with Stephanie Trigg, a special issue of the journal postmedieval, 'Facing Up to the History of Emotions' (April 2017). Her monograph, Reading Christine de Pizan in England, 1399-1929, is forthcoming.
Sally Holloway is Vice-Chancellor's Research Fellow in History at Oxford Brookes University. She completed her PhD at Royal Holloway, University of London in 2013, funded by the Arts and Humanities Research Council, and is currently converting the thesis into a book on romantic love in Georgian England. Recent articles include '"You know I am all on fire": Writing the Adulterous Affair in England, c. 1740-1830', Historical Research 89 (2016), pp. 317-39, and with Alice Dolan, a special issue of the journal Textile on 'Emotional Textiles'. Sally is an Affiliated Research Scholar at the Centre for the History of the Emotions, Queen Mary, University of London. In 2016 she was an Early Career International Visiting Research Fellow at the Australian Research Council Centre of Excellence for the History of Emotions.
Sarah Randles is an Honorary Research Fellow in the School of Historical and Philosophical Studies at the University of Melbourne and an Adjunct Researcher in the School of Humanities at the University of Tasmania. She was formerly a Postdoctoral Fellow in the Australian Research Council Centre of Excellence for the History of Emotions. Her current research project explores the relationship between materiality and the emotions of pilgrimage and sacred place, focusing on the relics and other aspects of material culture in Chartres Cathedral. She has also published on medieval and later textiles, supernatural beliefs and their attendant practices, and on medievalism in Australia.

- Introduction
- 1: Stephanie Downes, Sally Holloway and Sarah Randles: A Feeling for Things: Past and Present
- 2: Elina Gertsman: Matter Matters
- 3: Sarah Randles: Signs of Emotion: Pilgrimage Tokens from the Cathedral of Notre Dame of Chartres
- 4: Helen M. Hickey: Capturing Christ's Tears: La Sainte Larme in Medieval and Early Modern France
- 5: Hilary Davidson: Holding the Sole: Shoes, Emotions, and the Supernatural
- 6: Lara Farina: Get a Grip? The Tactile Object of Handlyng Synne
- 7: Diana G. Barnes: Emotional Debris in Early Modern Letters
- 8: John Gagne: Emotional Attachments: Iron Hands, their Makers, and their Wearers, 1450-1600
- 9: Sally Holloway: Materialising Maternal Emotions: Birth, Celebration and Renunciation in England c. 1688-1830
- 10: Susan Broomhall: Dirk Hartog's Sea Chest: An Affective Archaeology of VOC Objects in Australia
- 11: Alicia Marchant: Romancing the Stone: (E)motion and the Affective History of the Stone of Scone
- 12: Carolyn Steedman: Lord Mansfield's Voices. In The Archive, Hearing Things
- 13: Joanne Begiato: Afterword: Moving Objects: Emotional Transformation, Tangibility, and Time-Travel
- Bibliography