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Introducing a novel anthropological study of photography in the Middle East, Emilie Le Febvre takes us to the Naqab Desert where Bedouin use photographs to make, and respond to, their own histories. She argues Bedouin presentations of the past are selective but increasingly reliant on archival documents such as photographs which spokespersons treat as evidence of their local histories amid escalating tensions in Israel. These practices shape Bedouin visual historicity, that is the diverse ways people produce their pasts in the present with images. This book charts these processes through the afterlives of six photographs (c. 1906-2013) as they circulate between the Naqab's entangled visual economies - a transregional landscape organised by cultural ideals of proximity and assemblages of Bedouin iconography. Le Febvre illustrates how representational contentions associated with tribal, civic, and Palestinian-Israeli politics influence how images do history work in this society. She concludes Bedouin visual historicity is defined by acts of persuasion during which photographs authenticate alternating history projects. Here, Bedouin value photographs not because they evidence singular narratives of the past. Rather, the knowledges inscribed by photography are multifarious as they support diverse constructions of history and society with which members mediate a wide range of relationships in southern Israel. This book bridges studies of anthropology, photography, Palestinian-Israeli politics, and Bedouin Middle East history.
Emilie Le Febvre received her DPhil and MSc from the Institute of Social and Cultural Anthropology at the University of Oxford.
Preface: Ethnonyms and Being Bedouin Introduction: Contours of Place, People, and Ethnography Part One - Histories 1. Naqab Bedouin Social History and Historiography 2. Making Histories in a Bedouin Society Part Two - Photography 3. Anthropology of Bedouin Photography and Photographs 4. Photographic Presences and Entangled Visual Economies Part Three - Photographs 5. Circulating Images: Tribal Histories of Lineages 6. Circulating Images: Community Histories Conclusion: Historical Persuasion and Photographs in the Desert
