The Beau Monde

Caricatured for extravagance, vanity, glamorous celebrity and, all too often, embroiled in scandal and gossip, 18th-century London's fashionable society had a well-deserved reputation for frivolity. But to be fashionable in 17s London meant more than simply being well dressed. Fashion denoted membership of a new type of society - the beau monde, a world where status was no longer determined by coronets and countryseats alone but by the more nebulous qualification of metropolitan'fashion'. Conspicuous consumption and display were crucial; the right address, the right dinner guests, the right possessions, the right jewels, the right seat at the opera.
The Beau Monde leads us on a tour of this exciting new world, from court and parliament to London's parks, pleasure grounds, and private homes. From brash displays of diamond jewellery to the subtle complexities of political intrigue, we see how membership of the new elite was won, maintained - and sometimes lost. On the way, we meet a rich and colourful cast of characters, from the newly ennobled peer learning the ropes and the imposter trying to gain entry by means of cleverfakery, to the exile banned for sexual indiscretion.
Above all, as the story unfolds, we learn that being a Fashionable was about far more than simply being 'modish'. By the end of the century, it had become nothing less than the key to power and exclusivity in a changed world.

Dr Greig is a historian of eighteenth-century Britain, with a particular interest in gender, material culture and the cultural histories of politics and state craft. Greig is also a highly experienced and established consultant to film, theatre and television. With over a decade of experience of working with creative partners she is internationally recognised for her expertise in this field. Recent credits include the Oscar and BAFTA-winning feature film, The Favourite; Bridgerton; numerous BBC dramas, most notably the flagship BBC drama Poldark (series 1-5); Andrew Davies's adaptation of Sanditon for ITV; as well as RSC stage productions.

Introduction: the 'brilliant vortex'
1: The beau monde: London's little coterie
2: Leading the fashion: 'a most brilliant shew'
3: Life in the town: 'all together and all distinct'
4: Politics and fashionable life: 'all the chatter chitter I heard'
5: The court and fashionable display: 'most tastefully spangled'
6: Beauties: 'so pow'rful her charms'
7: Risk, exile and fraud: a changeable world
Conclusion
Notes
Index