Wolf Play

"There's an unruly quality to Jung's idea of what theater can be, jagged and untethered, coy and dreamlike. It's thrilling to see that potential unleashed on the vagaries of love." New York Times
A southpaw boxer is on the verge of their pro debut when their wife signs the adoption papers for a Korean boy: the boy's original adoptive father was all set to hand him over to a new home ... until he realizes the boy would have no 'dad'. Caught in the middle, the child launches himself in a lone wolf's journey of finding a pack he can call his own.
Mischievous and affecting, Hansol Jung's Wolf Play deftly explores the intricacies of the families we choose and un-choose, and how far we would all go to defend our pack.
Nominated for seven Lucille Lortel Awards after its initial production was postponed by the Covid-19 outbreak, Wolf Play is published in Methuen Drama's Modern Classics series, featuring a new introduction by Dustin Wills.

Hansol Jung is a playwright from South Korea. Productions include Wild Goose Dreams (The Public Theater, La Jolla Playhouse), Wolf Play (NNPN Rolling Premiere: Artists Rep, Mixed Blood, Company One), Cardboard Piano (Humana Festival at ATL), Among the Dead (Ma-Yi Theatre), and No More Sad Things (Sideshow, Boise Contemporary). She has received commissions from The Public Theater, La Jolla Playhouse, Seattle Repertory Theatre, National Theatre in UK, Playwrights Horizons, Artists Repertory Theater, Ma-Yi Theatre and Oregon Shakespeare Festival. Her work has been developed at Royal Court, New York Theatre Workshop, Hedgebrook, Berkeley Repertory, Sundance Theatre Lab, O'Neill Theater Center, and the Lark. Hansol is the recipient of the Hodder Fellowship, Whiting Award, Helen Merrill Award, Page 73 Fellowship, Lark's Rita Goldberg Fellowship, NYTW's 2050 Fellowship, MacDowell Artist Residency, and International Playwrights Residency at Royal Court.
Hansol Jung is a playwright and director from South Korea. Her productions include Cardboard Piano, Among the Dead, No More Sad Things, Wolf Play, and Wild Goose Dreams. Her work has been developed at the Royal Court, New York Theatre Workshop, Berkeley Repertory's Ground Floor, and more. She is the recipient of the P73 Playwright Fellowship, Rita Goldberg Playwrights' Workshop Fellowship at the Lark, 2050 Fellowship at New York Theatre Workshop, and others. Jung has translated over thirty English musicals into Korean. She holds a Playwriting MFA from the Yale School of Drama and is a member of the Ma-Yi Theatre Writers Lab.

Introduction
Wolf Play