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Helen Smith takes an in-depth look at all eight of Bernstein's musical theatre works and analyses them against a background of musical and social context, as well as looking at Bernstein's other orchestral, choral and chamber works. One important aspect examined is Bernstein's use of motifs in his theatre compositions. Smith provides an indispensable overview of the musical theatre works of an eclectic composer, and shows what it is that constitutes the Bernstein 'sound'.
Helen Smith studied conducting at Birmingham Conservatoire after receiving her PhD from the University of Birmingham. She is musical director for several choirs in the West Midlands and works with children and young people as a vocal animateur. As a musicologist, Helen specializes in the works of Leonard Bernstein and in American music.
1: In Some Way or Another One Can Protect Oneself From the Spirits By Portraying Them; 2: Physiognomic Aspects of Visual Worlds; 3: Spacing Out; 4: The Golden Bough: The Magic of Mimesis; 5: The Golden Army: The Organization of Mimesis; 6: With the Wind of World History in Our Sails; 7: Spirit of the Mime, Spirit of the Gift; 8: Mimetic Worlds, Invisible Counterparts; 9: The Origin Of the World; 10: Alterity; 11: The Color of Alterity; 12: The Search for the White Indian; 13: America As Woman: The Magic of Western Gear; 14: The Talking Machine; 15: His Master's Voice; 16: Reflection; 17: Sympathetic Magic in a Post-Colonial Age
