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Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds.
Howard Mandel is an award-winning journalist who has published articles in Down Beat, The Village Voice, and The Wire, among many other publications internationally. A longtime arts-segment producer for National Public Radio and adjunct associate professor at New York University, he is also the president of the Jazz Journalists Association and the author of Future Jazz, published by Oxford University Press. Further details on Mandel and his work are available at www.HowardMandel.com.
EPIGRAMS Preface Acknowledgements Photography credits JAZZ BEYOND JAZZ - THE AVANT-GARDE MILES DAVIS, DIRECTIONS Me and Miles - un-cool confessions New directions Talkin', playin', BSn' Later and after ORNETTE COLEMAN, QUESTIONS AND CONJECTURES Ornette I've met Harmolodic dialogue Circle of improvisers Coleman family business Honors CECIL TAYLOR, GRAND PASSI ONS The Great Unknown Late tea, early winter and my dinner with Cecil Speaking of drummers FURTHERMORE: THE ONCE AND FUTURE AVANT-GARDE Notes Selected Bibliography Index
