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A composer and lyricist of enormous innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative output running the gamut from films scores and Broadway operas to art songs and chamber pieces. A prominent leftist and social maverick, Blitzstein constantly pushed the boundaries of convention in mid-century America in both his work and his life.
Howard Pollack is John and Rebecca Moores Professor of Music at the University of Houston and author of, among other books, John Alden Carpenter: A Chicago Composer; Aaron Copland: The Life and Work of an Uncommon Man; and George Gershwin: His Life and Work.
Introduction
Chapter 1: The Boy from Philadelphia
Chapter 2: Journeyman Years
Chapter 3: Early Works (1924-1929)
Chapter 4: Life with Eva, I (1929-1931)
Chapter 5: From is 5 (1929) to the Piano Concerto (1931)
Chapter 6: Life with Eva, II (1932-1936)
Chapter 7: Critical Writings (1931-1940)
Chapter 8: From the Serenade (1932) to The Chesapeake Bay Retriever (1936)
Chapter 9: The Cradle Will Rock, I (1936-1937)
Chapter 10: The Cradle Will Rock, II
Chapter 11: From The Spanish Earth (1937) to Danton's Death (1939)
Chapter 12: No for an Answer (1937-1940)
Chapter 13: From Valley Town (1940) to Labor for Victory (1942)
Chapter 14: To London and Back (1942-1945)
Chapter 15: From Freedom Morning (1943) to the Airborne Symphony (1946)
Chapter 16: From Goloopchik (1945) to The Guests (1949)
Chapter 17: Regina, I (1946-1949)
Chapter 18: Regina, II
Chapter 19: The Threepenny Opera (1950-1954) and Other Adaptations
Chapter 20: Reuben Reuben (1949-1955) and This is the Garden (1956-1957)
Chapter 21: More Music for Shakespeare (1950-1958)
Chapter 22: Juno (1957-59)
Chapter 23: Final Years, I (1959-1961)
Chapter 24: Final Years, II (1961-1964)
Chapter 25: The Unfinished Operas
Conclusion
Abbreviations
Notes
Index
