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Tradition and Creativity in Korean Taegum Flute Performance describes the taegum as a representation of Korean culture in the contemporary world. Through the development and performance of creative works, this horizontal bamboo flute reflects both tradition and contemporary creativity. The first part of the book outlines the historical background of the taegum. The author illuminates the potential future of the Korean flute in a globalised world through the analyses of three musical works for taegum. The second part of the book draws on approaches of Practice Research within ethnomusicology and sociology to examine the ways in which the taegum tradition interacts with, and responds to, different genres in performance. Documenting collaborative encounters with musicians from three musical cultures: jazz, Western art and electroacoustic music, the result is an innovative exploration of the musical and social relationships between composers, performers and audiences in intercultural performances, contrasting traditional uses of the taegum with perspectives on its use today.
Dr Hyelim Kim is a world-renowned traditional Korean taegum performer and academic, who is a Visiting Research Fellow, Bath Spa University (UK).
Introduction Learner's Position Performer's Position History and Background of the Taegum History of the Taegum Court and Folk Taegum Notations for the Taegum The Contemporary Practices of the Taegum Nationalism and Orientalism Orientalism and Korean Traditional Music Nationalism and Korean Traditional music Music Analysis I: Youngdong Kim 'Son: Zen' 'Manp'a shik chok' Music Analysis II: Sukhi Kang 'Manp'a' Music Analysis III: Sngkn Kim 'Sujech'on' 'Taegum Quartet 2006' Performance I: Jazz The History of Korean Jazz Collaboration with Simon Barker Performance II: Western Art Music Composer, Dae-seong Kim Universal Gestures in Nongum Performance III: Electroacoustics Improvisation The Sori Art Project 'Pojagi' Conclusion Interviews Bibliography Chronicles/Annals Discography
