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From the glamorous depravity of Studio 54 to the underground cabarets of Weimar Berlin, from Georgian London’s gaudy pleasure gardens to the birth of techno in post-industrial Detroit, a brilliantly researched history charting four centuries of nightlife, showing the fascinating evolution of how humans have gone out after dark There is a specific energy to it. Cafes and shops close their shutters. Darkness descends. “The air begins to tingle,” wrote John Dos Passos of twenties New York. “It’s tonight if you drink enough, talk enough, walk far enough, that the train of magical events will begin.” Nightlife, as defined by party historian Imogen Willetts, is “a commercial and secular environment designed to offer a variety of pleasures at night.” Up All Night traces its history back to a surprising starting point: seventeenth-century Japan, in a remote party destination built outside the shogun’s capital. Nightlife has been at the frontier of popular culture and self-expression ever since, making cities famous, nurturing iconic countercultures, and growing into a multibillion-dollar industry, yet its sweeping history has been left largely untold. Up All Night is the story of the good nights and the great ones. How did jazz develop in the dancehalls of turn-of-the-century New Orleans? What was it like to party in 1920s Paris? Why were we so obsessed with the messy chaos of the early aughts LA scene? And what, in our increasingly online lives, are we missing when we pass up the chance of a big night out? Join party historian Imogen Willetts for a guided tour behind the velvet rope of history’s wildest nights out.
Imogen Willetts is a historian and was Senior Creative Producer at the Royal Academy of Arts in London, where she led its cultural programs of live events and festivals. This included leading the sell-out RA Lates series, after-hours gallery events that reimagined the nightlife behind iconic artistic movements, as well as an annual summer party that took inspiration from Vauxhall Pleasure Gardens. Imogen lectures in cultural and urban history at Kingston University’s School of Art and at Central Saint Martins. Up All Night is her first book.
Introduction 1: Yoshiwara, Edo 2: The Pleasure Gardens, London 3: Montmartre, Paris 4: New Orleans 1913 – Tangomania 5: Weimar Berlin 6: The Harlem Renaissance 7: The Jazz Age – Chicago, Paris and Shanghai 8: Post-War Opulence – Las Vegas and Havana 9: Discotheques and the Underground in New York City 10: DIY Nightclubs – New York, London and Los Angeles 1988 – The Second Summer of Love 11: Techno, Found Spaces and Ruinlust – Detroit, Berlin and Belgrade 12: Noughties Los Angeles Epilogue Acknowledgements Picture Credits Text Permissions Selected Bibliography Index