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I was the eyes and she was the bodyI mean that sounds poetic but really that's how it worked
Girl meets anatomical wax sculptor.
Anatomical wax sculptor meets Girl.
They fall in love. Or something like that.
Bea's older neighbour was her first love, her first cigarette, her first prosthetic eye. When Bea is invited to the Wellcome Collection to speak about her expertise making glass eyes, she finds herself unable to untie Margot from all that she does. As she tries to unpack her mentor's effect on her work, Bea must dissect for herself what love really looks like.
Isabella Waldron's electric new play, how tobuild a wax figure, brings a fresh perspective on queer love, age-gap relationships, and ocularistry.
Isabella Waldron is a playwright and actor originally from Portland, Oregon and now based in London. Her work centers around stories of women's relationship to desire and body, intergenerational connection, and home. Her plays have been featured with Frumpish Theatre, Theatre NOVA, Our Digital Stories, The WorkShop Theatre, Our Digital Stories, and Portland Actor's Conservatory. Most recently, she was listed as a semi-finalist for the Bay Area Playwrights' Foundation. She is a proud alum of the 24 Hour Plays: Nationals 2020 Cohort, the National Theatre Institute (Fall '18) at the O'Neill, and an associate member of the Dramatists Guild.
