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In eighteenth-century Mexico City, cathedral musicians made explicit and considered use of music and institutional affiliation in order to construct their Spanish identity.
Jesús A. Ramos-Kittrell is Assistant Professor of Music History at Southern Methodist University Meadows School of the Arts.The work of Professor Ramos-Kittrell focuses on the intersection of religious and secular thought as a basic tension that shaped early modernity culture. Specifically, he is concerned with how music in New Spain articulated social meanings and perceptions in relation to the political and economic landscape of the early modern Hispanic world.
TABLE OF CONTENTS
DEDICATION
ACKNOWLEDGEMENTS
TABLE OF CONTENTS
LIST OF FIGURES
GLOSSARY
INTRODUCTION
CHAPTER ONE - STUDYING MUSIC CULTURE IN NEW SPAIN
· Introduction
· Rupture and Continuity
· New Approaches to Colonial Music Culture
CHAPTER TWO - MUSIC, RACE, AND SOCIAL STATUS
· Introduction
· Music and Social Life
· Race and Calidad
· Shifting Trends in Music and the Benefits of Corporate Membership
CHAPTER THREE - MUSIC, LETTERS, AND THE CLERICAL PATH
· Introduction
· Limpieza de Sangre as Social Currency
· Nobility: The Desired Calidad
· Music: Strategy for an Ecclesiastical Career
· The Choir Chaplains
CHAPTER FOUR - IGNACIO JERUSALEM AND CHANGES IN MUSIC THOUGHT
· Introduction
· Politics in Music Thought
· Profiling a Chapelmaster
· Música Práctica vs. Música Especulativa
· The Limits of Música Práctica: Caveats for a Parvenu
CHAPTER FIVE - DECENCY IN THE MUSIC CHAPEL
· Introduction
· Part One - Antecedents
o The Chapelmastership under Challenge
o The Issue of Erudition
o Financial Concerns
· Part Two - Transforming the Music Chapel
o The Loss of Corporate Structure
o Rescuing the Corporation
o Decency: The Calidad of the Corporation
EPILOGUE - FURTHER CONSIDERATIONS ON RACE AND MUSIC CULTURE
APPENDIX
REFERENCES
INDEX
