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"Examining the work of critically acclaimed audiovisual artist Kahlil Joseph, Kahlil Joseph and the Audiovisual Atlantic generates ground-breaking new dialogues between a range of audial and visual theories that are shaped by Paul Gilroy's conceptualisation of The Black Atlantic (1993). The book analyzes Joseph's work through intersections of emergent music video and new media concepts as well as film theories from African, American and European perspectives. Vitally, it argues that such an interdisciplinary and transcontinental approach to film, music and new media scholarship enriches the possibilities of their respective and, simultaneously, entwined branches of knowledge"--
Joe Jackson is Lecturer in Communications & Media (Multimedia Production) at London College of Communication, University of the Arts London, UK. He studied at the School of Oriental and African Studies (PhD, MA) and University College London (BA). He is a member of the Screen Worlds collective, wrote about global media production as Web Editor for The Location Guide, and previously created educational resources at the Institution of Civil Engineers. This is his first book.
List of Figures Foreword by Clive Chijioke Nwonka Acknowledgements 1. Introduction 2. The Early Works of Kahlil Joseph 3. Webs of Expression 4. Exhibiting Resilience 5. Sights and Sounds Across the Sea 6. The Contemporary Audiovisual Atlantic 7. Conclusion(s) and Crosscurrents Bibliography Mediography Index
