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This revised edition of the play is published alongside commentary and notes by Christopher Collins, Assistant Professor of Drama at the University of Nottingham, UK. It includes information for today's students on the play's context; themes; dramatic devices; production history; critical reception; academic debate; and ideas for further study. It also includes interviews with practitioners involved in major recent productions of the play.
Described by J.M. Synge as "a comedy, an extravaganza, made to use", The Playboy of the Western World is one of the most iconic plays to have come out of Ireland in the 20th century and is today recognised as a staple of the dramatic canon. It is published as a new Student Edition, which offers a 21st century lens on a play over 100 years old.
When it was first performed in 1907 at Dublin's Abbey Theatre, Synge's play provoked uproar and was interrupted more than once by the police. Today, we recognise its importance in making Irish drama the force it became in the early 20th century.
John Millington Synge (1871-1909) is widely regarded as the greatest ever Irish dramatist. Born in Dublin in 1871, he trained first as a musician and composer, but after a meeting with W. B. Yeats in Paris, came to focus on literature, giving voice for the first time to those communities on the West Coast of Ireland. Capturing their dialect and energising their stories, the lives of the people of Connemara, and the Aran Islands were brought to life through his six great plays: In The Shadow of the Glen (1903), Riders to the Sea (1904), The Well of the Saints (1905), The Playboy of the Western World (1907), The Tinkers' Wedding (1908), and his unfinished mythological drama Deirdre of the Sorrows (performed posthumously in 1910); as well as his travel journal of his time off the coast of Ireland entitled simply The Aran Islands (1907).
A strong advocate and contributor to the nascent Abbey Theatre, Synge, along with Lady Gregory and W. B. Yeats, was its leading light. His premature death from Hodgkin's disease left the Irish theatre bereft of its first great genius.
Chronology
Context
Themes
Dramatic devices
Production History
Critical Reception
Academic Debate
Further Study
PLAYBOY OF THE WESTERN WORLD
Notes
References
