The Vinyl Frontier

'Bursts with gloriously geeky detail.' The Telegraph
Have you ever made someone you love a mix-tape?
Forty years ago, a group of scientists, artists and writers gathered in a house in Ithaca, New York to work on the most important compilation ever conceived. It wasn't from one person to another, it was from Earth to the Cosmos.
In 1977 NASA sent Voyager 1 and 2 on a Grand Tour of the outer planets. During the design phase of the Voyager mission, it was realised that this pair of plucky probes would eventually leave our solar system to drift forever in the unimaginable void of interstellar space. With this gloomy-sounding outcome in mind, NASA decided to do something optimistic. They commissioned astronomer Carl Sagan to create a message to be fixed to the side of Voyager 1 and 2 - a plaque, a calling card, a handshake to any passing alien that might one day chance upon them.
The result was the Voyager Golden Record, a genre-hopping multi-media metal LP. A 90-minute playlist of music from across the globe, a sound essay of life on Earth, spoken greetings in multiple languages and more than 100 photographs and diagrams, all painstakingly chosen by Sagan and his team to create an aliens' guide to Earthlings. The record included music by J.S. Bach and Chuck Berry, a message of peace from US president Jimmy Carter, facts, figures and dimensions, all encased in a golden box.
The Vinyl Frontier tells the story of NASA's interstellar mix-tape, from first phone call to final launch, when Voyager 1 and 2 left our planet bearing their hopeful message from the Summer of '77 to a distant future.

Jonathan Scott is a music writer and self confessed astronomy geek.
Formerly a contributing editor to Record Collector magazine, he has edited books about Prince, Cher and the San Francisco psych explosion, and written about Nirvana, the Pogues, the Venga Boys, Sir Patrick Moore and Sir Isaac Newton in a variety of magazines.
He received his first telescope aged eight, using it to track Halley's Comet in 1986. Having followed Voyager's planetary fly-bys throughout his childhood, he first got to write about the missions in 2004. If he'd been in charge of the Voyager Golden Record, aliens would assume humanity had three chords.

Prologue
Chapter 1: The Naked Pioneers
Chapter 2: Needle Hits Groove
Chapter 3: Musos v Scientists
Chapter 4: Uranium Clock
Chapter 5: Now That's What I Call Music
Chapter 6: The Hydrogen Key
Chapter 7: Berry v Beatles
Chapter 8: Flowing Streams and Firecrackers
Chapter 9: Mixing and Mastering
Chapter 10: The Final Cut
Chapter 11: A last Supper
Chapter 12: Hello, We Must Be Going
Select Bibliography
Appendices
Acknowledgements1
Index